AS A VISUAL ARTIST, BROWN HAS EXPERIMENTED WITH VARIOUS ART FORMS, INCLUDING PHOTOGRAPHY, PAINT, COLLAGE AND MIXED MEDIA; FILMMAKING, HOWEVER IS HER MOST VALUABLE AND CHALLENGING MEDIUM. SARAH BROWNS FILMMAKING EXPERIENCE RANGES FROM CORPORATE, TO DOCUMENTARY TO COMMERCIAL WORK BUT HER PASSION LIES IN EXPERIMENTAL FILMMAKING. HER APPROACH TO EXPERIMENTAL FILMMAKING ACTS NOT AS A GENRE BUT RATHER A MODE THAT RIGOROUSLY RE-EVALUATES CINEMATIC CONVENTIONS AND EXPLORES ALTERNATIVES TO TRADITIONAL NARRATIVES OR METHODS OF WORKING. HER VISUAL WORK DEMONSTRATES A NON-CONVENTIONAL APPROACH TO MOTION PHOTOGRAPHY THAT SERVES AS A FORMAT CONDUCIVE TO HER QUESTIONS AS AN ARTIST IN REGARDS TO social sciences, IDENTITY POLITICS, GENDER STEREOTYPES, female representaion and FEMINIST IDEOLOGIES. THE FILMS SHE CREATES ARE NON-LINEAR, LYRICAL AND POETIC, THAT ARE NOT DEFINED BY THE LIMITATIONS OF NARRATIVE FILMS. SHE USES MOTION PHOTOGRAPHY AS A FORM OF LANGUAGE, THROUGH IMAGERY AND SOUND.